If you haven’t already check out Cynthia Chung’s “Towards a New Jerusalem Series: A Gathering of Jacobites, Scottish Rite-Rosicrucian Freemasons, Moravians, Sabbatian Jews and the Father of Theosophy” you can read the ongoing series below.
Towards a New Jerusalem: A Gathering of Jacobites, Scottish Rite-Rosicrucian Freemasons, Moravians, Sabbatian Jews and the Father of Theosophy
In 1790 the world renown English poet and artist William Blake, who was a member of the Swedenborg Society and whose parents were members of the Moravian Church, produced a provocative but puzzling work entitled The Marriage of Heaven and Hell. Written as a radical rebuttal to the conservative faction of Swedenborgians in London (who were rejecting the increasing sexual promiscuity of the group), Blake’s response echoed that of the antinomianists and the Sabbatian followers of Jacob Frank:
Towards a New Jerusalem: A Gathering of Jacobites, Scottish Rite-Rosicrucian Freemasons, Moravians, Sabbatian Jews and the Father of Theosophy Part II
In Part I of this series we left off with the false Messiah Sabbatai Zevi changing the year of his bringing forward the Messianic era and redemption for the Jewish people from 1648 (which was prophesised in the Kabbalah) to the year 1666 (which was prophesised by the Book of Revelation), after he had failed to bring it forward in the former year.
Tiberius’ Temple of Apollo: From Clairvaux’s Templars & Erotic Mysticism to Zinzendorf’s Moravian Brotherhood & the Sex Cult Communes
[For Part I of this series refer here, for Part II refer here.]
Tales from Bohemia: The Winter King and Queen, the Rosicrucian Red Dawn and its Magus John Dee
‘Rosicrucian’ in this purely historical sense represents a phase in the history of European culture which is intermediate between the Renaissance and the so-called scientific revolution of the seventeenth century. It is a phase in which the Renaissance Hermetic-Cabalist tradition has received the influx of another Hermetic tradition, that of alchemy. The ‘Rosicrucian manifestos’ are an expression of this phase, representing, as they do, the combination of ‘Magia, Cabala, and Alchymia’ as the influence making for the new enlightenment.
Occult Rituals, Resurrections & Alchemical Transmutations: The Symbology of Fama, Confessio & the Chemical Wedding of Christian Rosencreutz Explained
As a consequence of the disastrous failure of the Winter King and Queen, Frederick V and Elizabeth Stuart (whose story is told in Part IV of this series), Bohemia and its people were set ablaze and the Palatinate and its fairy-tale like castle with its mechanical wonders and fantastical gardens in Heidelberg were laid to rubble.
The Rosicrucian Manifestos as a Psy-Op: a Game within a Game, a Play within a Play, or a “Ludibrium”
Recall from Part IV of this series that the first of the Rosicrucian Manifestos, Fama, was published the year after the marriage of the Winter King and Queen of Bohemia, Frederick V and Elizabeth Stuart, in the year 1614. Confessio was published one year later in 1615. And the
The Dark Side of Rosicrucianism, “Sacred” Sacrifices & ‘The Reformation of the Whole Wide World by Order of Apollo’
The Pegasus of the Firmament: A Pansophic Manifesto
Of Rosicrucian Utopias: Campanella’s City of the Sun, the Republic of the Apocalypse and the Quest for a Universal Monarchy
[Refer here for Part I, Part II, Part III, and Part IV of this ongoing series.]
The Rosicrucian Seal “Under the Shadow of Jehova’s Wings” and the Search for the Ark of the Covenant
[Refer here for Part I, Part II, Part III, Part IV and Part V of this ongoing series.]
Cynthia Chung is the President of the Rising Tide Foundation and author of the books “The Shaping of a World Religion” & “The Empire on Which the Black Sun Never Set,” consider supporting her work by making a donation and subscribing to her substack page Through A Glass Darkly.
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